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Ralph Earl
1751- 1801
Ralph Earl Galleries
Ralph Earl was born in either Shrewsbury or Leicester, Massachusetts. By 1774, he was working in New Haven, Connecticut as a portrait painter. In the autumn of 1774, Earl returned to Leicester, Massachusetts to marry his cousin, Sarah Gates. A few months later, their daughter was born; however, Earl left them both with Sarah's parents and returned to New Haven.
Like so many of the colonial craftsmen, Earl was self-taught, and for many years was an itinerant painter. In 1775, Earl visited Lexington and Concord, which were the sites of recent battles in the American Revolution. Together with engraver Amos Doolittle, he painted four of his most famous pictures, all battle scenes.
Although his father was a colonel in the Revolutionary army, Ralph Earl himself was a Loyalist. In 1778, he left behind his wife and daughter and escaped to England by disguising himself as the servant of British army captain John Money. Related Paintings of Ralph Earl :. | Portrait of a Man with a Gun | Marinus Willett | Portrat des William Carpenter | Portrait of Robert Sherman | Robert Boyd | Related Artists: Nikolai Petrovitch Bogdanov-Belskypainted Mental Calculation. In Public School of S. A. Rachinsky in 1895 George Dawe1781-1829
British
George Dawe Locations
English painter and writer. He was the son of the mezzotint engraver Philip Dawe who taught him engraving. He continued to concentrate on engraving when he entered the Royal Academy Schools, London, in 1796, producing portraits until 1802, when he turned to history painting. In 1803 he won a gold medal and the following year made his d?but at the Royal Academy, where he exhibited until 1818, often showing such anecdotal and literary works as Imogen Found in the Cave of Belarius (exh. RA 1809; London, Tate). He was elected an ARA in 1809 and an RA in 1814 and soon afterwards returned to portrait painting. In 1816 he painted a number of portraits of George IV daughter Princess Charlotte (e.g. London, N.P.G.), several of which were engraved. In 1817 he went to Brussels and was present at the review of the allied troops by Arthur Wellesley, 1st Duke of Wellington in Cambrai. Soon afterwards he was invited by Tsar Alexander I of Russia to paint the portraits of all the senior officers who had taken part in the Napoleonic Wars. He travelled to St Petersburg in 1819 where, over the next nine years, he painted nearly 400 portraits. These were placed in a specially built gallery (destr.) in the Winter Palace in St Petersburg. He returned briefly to England in 1828 before travelling to Berlin, where he painted the portraits of Ernest Augustus, Duke of Cumberland (1828; London, N.P.G.) and Frederick William III, King of Prussia (1828; untraced). From Berlin he moved to St Petersburg and then to Warsaw before being forced by illness to return to England, where he died shortly afterwards. His book The Life of George Morland with Remarks on his Works (1807) is both a lively account of his godfather dissipated lifestyle and a fairly critical appreciation of his work. Percy LindsayPercival (Percy) Charles Lindsay (1870 - 1952) was an Australian landscape painter, illustrator and cartoonist, born in Creswick, Victoria. Percy was the first child born to Jane Lindsay (nee Williams) and Dr Robert Charles Lindsay. His siblings included the well known artists: Sir Lionel Lindsay, Norman Lindsay, Ruby Lindsay and Sir Daryl Lindsay.
Percy first began painting while at school and further developed his skills during the late 1880s. Tuition from Fred Sheldon and Walter Withers saw him develop his painting skills to a professional level.
Percy moved to Melbourne in the 1890s and worked as an illustrator and cartoonist. During his time in Melbourne Percy was at the centre of the cities bohemian art community. In 1918 he moved with his wife and child to Sydney where he continued to paint landscapes while working as a cartoonist on the Bulletin magazine.
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